Violinist
Appointed concertmaster of the Gustav Mahler Jugendorchester at the age of twenty-one, Raphaëlle Moreau has collaborated with conductors such as Herbert Blomstedt, Vladimir Jurowski, Jonathan Nott and Lorenzo Viotti and has performed at the Hamburg Elbphilharmonie, the Amsterdam Concertgebouw, the Musikverein in Vienna and the Felsenreitschule in Salzburg. She is regularly invited as guest concertmaster in various orchestras such as Gulbenkian Orchestra in Lisbon, Orchestre du Capitole de Toulouse and Orchestre Symphonique de Bretagne.
She has been awarded the first Grand Prize of the Postacchini Competition and has performed as a soloist with the Orchestre Philharmonique de Radio-France, the Orchestre National de France and the Orchestre de Chambre de Lausanne.
In the year 2020, Raphaëlle has been nominated as Rising Star at the french Victoires de la Musique Classique and took part in the Martha Argerich & Friends concert at the Philharmonie de Paris performing with Stephen Kovacevich and Gerard Caussé. She has also shared the stage with Renaud Capuçon in the Double Concerto by J.S. Bach accompanied by the Lausanne Soloists and premiered the Double Concerto for violin and cello by Philippe Hersant.
Being a passionate chamber musician, Raphaëlle regularly collaborates with artists such as Renaud Capuçon, Gautier Capuçon, Nicholas Angelich, David Kadouch, Celia Oneto-Bensaid, Alexandra Conunova and her three brothers Edgar, David and Jérémie.
Together with her three brothers Edgar, David and Jérémie, Raphaëlle has released an album with works by Korngold and Dvorak for the label Warner Classics/Erato.
Born in Paris, Raphaëlle Moreau began playing the violin at the age of four in the Suzuki system and later continued her studies with Pavel Vernikov and then Renaud Capuçon at the Haute Ecole de Musique de Lausanne.
Raphaëlle is a laureate of the Nicati-de-Luze Foundation, the Fondation l’Or du Rhin, the Fondation Banque Populaire and the Fondation de la Vocation.
Languages spoken: French and English
Photo credit: Jacky Azoulai